My practice flows between sculpture, installation, and photography to explore how memory and culture shift, fragment, and adapt over time. Rather than forcing meaning onto materials, I respond to their qualities, pairing them with images that reflect memory, possibility, or imagined histories. These elements come together as works that are neither complete nor fixed spaces where old meanings fade and new ones begin to form. I think of culture as a living organism that adapts in response to pressure and environment. I am interested in the places where personal memory and collective history intersect, divide, and reconfigure into something new. The work embraces hybridity, contradiction, and the openness of not knowing. My process is slow-paced, iterative, and often uncertain. I work toward an emotional tone rather than a clear conclusion. I let the materials guide the composition, allowing them the freedom to do as they wish. Sometimes memory informs a piece, most ofen the physical qualities of the materials take the lead. This openness creates room for unexpected connections and meaning to emerge naturally.